By Zohar Shavit
A previous with out Shadow examines 50 years of German kid's books within which the darkest horrors of the 3rd Reich have sometimes remained hidden. The horrors of the 3rd Reich are systematically screened and filtered, permitting the darker, bleaker elements of heritage to flee illumination. the following Zohar Shavit explores 345 German books for kids describing the 3rd Reich and the Holocaust, and unearths a stunning distortion of the previous: a recurrent narrative which means that the Germans themselves had no hand within the anguish inflicted at the Jews. those books, Shavit argues, have created the fake old lesson that the genuine sufferers of Hitler's crimes have been the German humans themselves. First released to nice acclaim in Hebrew and now on hand in English, this publication is a serious warning call for someone focused on German kid's literature and its accountability to earlier and destiny.
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Additional info for A Past Without Shadow (Children's Literature and Culture)
Damals war es Friedrich came out in a paperback edition in 1974. In this context, Sannes-Müller (1988, p. 50) cites works by Clara Asscher-Pinkhof, Leonie Ossowski, and Lisa Tetzner, which were reissued and enjoyed numerous large printings. Yet, aside from Asscher-Pinkhof s book, it is not surprising that the texts mentioned by Sannes-Müller enjoyed immense success. As is elaborated in Parts II and III, these books were central to, and manifested, the German public discourse. Various scholars link this development primarily with the fact that children’s literature turned anti-authoritarian, concurrently undergoing a process of generational transition that served to facilitate the great thematic and poetic shift.
A past without shadow 24 The Keys Time The story of the Third Reich takes place within fixed temporal boundaries. It begins with World War I or the subsequent period of inflation and unemployment, describes Hitler’s rise to power, generally shuns the years of the Final Solution, and resumes during the final years of the war. If the 1942–1945 period appears at all, the text emphasizes German suffering caused by Allied bombing raids. The boundaries subsequently become flexible, ranging from the end of the war and the immediate period to the postwar years.
Hence, the department demanded of Tetzner that she moderate all political and contemporary references. ” Only after she had included these revisions were the third, fourth, and fifth volumes released for publication in 1944. Yet their appearance evoked little response (Bolius 1995, p. 217). The publisher Stuffer signed a contract with Sauerländer and published several of Tetzner’s books in Germany in late 1945, after it had been granted a publishing permit by the French on November 8, 1945. Nonetheless, Stuffer issued only three books from the series—Erwin kommt nach Schweden, Die Kinder auf der Insel (The Children on the Island), and Mirjam in Amerika (Miryam in America).
A Past Without Shadow (Children's Literature and Culture) by Zohar Shavit