By Peter Brown
A better half to Medieval English Literature and tradition, c.1350-c.1500 demanding situations readers to imagine past a narrowly outlined canon and standard disciplinary barriers. A ground-breaking number of newly-commissioned essays on medieval literature and tradition. Encourages scholars to imagine past a narrowly outlined canon and traditional disciplinary barriers. displays the erosion of the conventional, inflexible boundary among medieval and early sleek literature. Stresses the significance of making contexts for examining literature. Explores the level to which medieval literature is in discussion with different cultural items, together with the literature of alternative international locations, manuscripts and faith. comprises shut readings of frequently-studied texts, together with texts by means of Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts a few of the controversies that workout scholars of medieval literature, corresponding to these attached with literary concept, love, and chivalry and warfare.
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Extra resources for A Companion To Medieval English Literature and Culture c.1350 - c.1500 (Blackwell Companions to Literature and Culture)
A more substantial rethinking of what we should read is offered in Derek Pearsall’s Chaucer to Spenser: An Anthology of Writings in English 1375–1575. The editor’s theoretical stance is articulated in two decisions. First, the volume’s scope, manifested in its title, restructures a student’s encounter with Chaucer by asserting a continuity between fourteenth- and sixteenth-century English literature. Second, the volume’s individual selections reﬂect a theory of inclusiveness that juxtaposes aesthetically signiﬁcant literary texts with texts having less literary appeal but which provide a historicized context for reading.
Notes 1 M. H. Abrams and Stephen Greenblatt (eds), The Norton Anthology of English Literature, 7th edn, 2 vols (New York: Norton, 2003). ), The Longman Anthology of British Literature, 2nd edn, 2 vols (New York: Longman, 2003). 3 Pearl, and of course the Pearl-poet more generally, remain vital to individual scholars; see Derek Brewer and Jonathan Gibson (eds), A Companion to the Gawain-Poet (Cambridge: Brewer, 1997), and John Bowers, The Politics of Pearl: Court Poetry in the Age of Richard II (Cambridge: Brewer, 2001).
A culturally speciﬁc organization of desires’ (Salih 2001: 5–10). While notions of virginity underline the alterity of medieval experience, Robin Hood embodies the familiar stuff of legend, the classic insider turned outsider to turn hierarchy upside-down and serve the common good. In this he stands for much of what we know of the popular folk culture of late medieval England. 11 A Bakhtinian delight in transgression explains the celebrity of the hero whose adventures have been reprised for upwards of eight centuries, and as we look with historicist eyes at the bloody justice meted out by and against Robin and his band we ﬁnd a world that is both distinctly medieval and characteristically colonial.
A Companion To Medieval English Literature and Culture c.1350 - c.1500 (Blackwell Companions to Literature and Culture) by Peter Brown